Backwards interrogation

Sometimes, I write for people who don't specifically make a request. They just express interest, but don't actually give me any details. But I decide to write for them anyway.

Which is what I did today. Some casual nudity, some bondage, some pain, some cold... and an interrogation where all he has to do to make her stop, all he has to do for it to end, is keep his mouth shut....

Sub in a suit

Admit it

Apparently, one of the biggest problems with torture stories is that they lead to sex. Who knew?

I've actually been accused recently that I always seem to stop before the sex anyway. Not so much accused, really; someone just asked me why I did that. Why not have the 'happy ending'? Why do I limit things to the build up, to the foreplay?

I don't, not always. But I prefer to do things that way. I want the sex to happen in your heads, I want the story to live on in all your beautifully dirty minds. To me, the part that matters is the build up. Admitting that you like something.

Which brings me to today's tale:

Admit you like it.

Are you sitting comfortably?

Today's request was a bit intimidating for me. I had very little to go on, just the idea of a submissive getting so turned on, confused, and turned around that they were left stuttering and unable to speak.

Interesting. That means it's all about dissonance, about things not going the way the should be, or something that is just plain 'off.' How do you confuse someone? How do you keep someone that off guard?

Let me know if you think I managed it.

Are you sitting comfortably?

Espionage in the year 3000

Today's request included a request for the non-consensual. I don't like doing that. But I can talk about things not being consensual as long as they never happen (within the reality of the story). And the fact that she wanted there to be a bad ending for the characters, well that made it easier. It's always a pleasure to kill rapists in a story.

But I'm getting ahead of myself. Let's not worry about how people die. Let's worry about the terrible things they do before that happens. Let's talk about interrogating a spy who is something so much worse than she seems...

I'm not a spy

What he wants to know

One of the nice thing about interrogation scenes is that they can be about anything. Any piece of information, no matter how meaningless. The idea is to get the person to break. So all you need to do, really, is have some way to confirm the information when they finally talk.

Enjoy.

Alex Getting Tortured

These Boots are made for Talking

Sorry about the pun. Couldn't help it. My brain is a bit loopy. I actually wrote two stories today. The one you're about to read is one of them.

The other is a special story, one that will be available ONLY in the printed version of the second book. Once photography is done for the cover, I'll put that together on Lulu. And that cover will be the big hint; the new story is all about what's happening on the cover. But we'll get to that later.

First, we have today's tale.

I was asked to write an interrogation story. A torture tale, but one that used boots to torture and break the prisoner. There were more elements, and they might show up if there is a sequel. But I focused primarily on the idea of the boot being used to make someone talk, boots for talking instead of walking (hence the pun).

Enjoy the story.

A Question of Boots

The interrogation

There's a movie out there called Marathon Man. It's a great movie. NOT SEXY. There is a torture scene in it. (ALSO NOT SEXY). But I thought I'd mention it, because it does have something to do with this story.

The original request was just for electrotorture. But why stop there? Why not do all kinds of torture, all kinds of interrogation?

This is, by the way, the most popular story on the entire site. Which is why I am leaving it up and fully intact, even though it's in Book Three: Boots and Bondage (which you should buy, to support a starving pervert who writes for you)

Is it safe?